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The first full art historical look at the work of John Fulton Folinsbee, a major figure in the New Hope school of American Impressionists.
- Sales Rank: #1959283 in Books
- Brand: Brand: Hudson Hills
- Published on: 2014-02-28
- Original language: English
- Number of items: 1
- Dimensions: 12.23" h x 1.35" w x 10.12" l, 5.17 pounds
- Binding: Hardcover
- 322 pages
- Used Book in Good Condition
About the Author
Kirsten M. Jensen, PhD is the Director of the John F. Follinsbee Catalogue Raisonne project. She has a Master's degree in American history and a PhD in art history from the Graduate Center, City University of New York, where she specialised in late 19th and early 20th-century American art and culture.
Most helpful customer reviews
5 of 5 people found the following review helpful.
This book reveals a lot about an under-appreciated artist while it neatly ties together print and digital technologies
By Roger Shepherd
Folinsbee Considered is a hefty, 322 page, 10 x 12 inch volume, brimming with new color photographs--many are lush, full-page, larger than life-size details. Handsomely designed in bright red cloth, a self-portrait of the painter on the cover looking at us with characteristic confidence, the results are a vital testament to the continued life of the art book.
In addition to nine chapters of extensively researched and hitherto unavailable information about the life and work of John F. Folinsbee, the book contains a 56-page, densely packed Catalogue of Selected Landscape and Genre Paintings. The book's author, Kirsten M. Jensen writes: "Each entry contains comprehensive information up to the time this book went to press, including provenance records, bibliographic citations, and exhibition histories . . ."
She further points out:
"Those who wish to study paintings from a particular year or years intensively, or who want to see juvenilia, portraits, and works on paper, should consult the online Catalogue Raisonn� (johnfolinsbee.org), which is continually updated to reflect new research on particular works and periods in Folinsbee's career."
As hefty as this book is, Ms. Jensen lets us know that we are in store for even more on the website. We are able to search the works online by themes and subjects, as well as find related works, preliminary sketches, and notebooks, none of which are included in the book. And this is just the beginning.
The book's comprehensive Exhibition History 1912-2012 and substantial Literature section also have online counterparts.
"The Exhibition History is designed to be used in conjunction with the individual records in the Selected Catalogue as well as the entire known oeuvre as presented on the catalogue raisonn� website . . . . The catalogue raisonn� website gives the user the opportunity to see an exhibition as it was arranged at the time (if exhibition catalogue numbers are available) by selecting the Gallery View option from the Exhibition Index. Exhibitions are also hyper-linked, enabling a user to move back and forth between individual records and the Exhibition Index pages."
Since the results of Ms. Jensen's efforts are an ideal symbiosis between print and digital technologies, I recommend purchasing this superb book as a way to finally have one's cake and eat it too.
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