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The highly anticipated release of the most personal novel by Kyung-Sook Shin, who first burst on to the literary scene with the New York Times bestseller, Please Look After Mom.
Homesick and alone, a teen-aged girl has just arrived in Seoul to work in a factory. Her family, still in the countryside, is too impoverished to keep sending her to school, so she works long, sun-less days on a stereo-assembly line, struggling through night school every evening in order to achieve her dream of becoming a writer.
Korea’s brightest literary star sets this complex and nuanced coming-of-age story against the backdrop of Korea’s industrial sweatshops of the 1970’s and takes on the extreme exploitation, oppression, and urbanization that helped catapult Korea’s economy out of the ashes of war. But it was girls like Shin’s heroine who formed the bottom of Seoul’s rapidly changing social hierarchy, forgotten and ignored.�
Richly autobiographical, The Girl Who Wrote Loneliness lays bare the conflict and confusion Shin faces as she confronts her past and the sweeping social change of the past half-century. Cited in Korea as one of the most important literary novels of the decade, this novel cements Shin’s legacy as one of the most insightful and exciting writers of her generation.
- Sales Rank: #707223 in Books
- Published on: 2015-09-15
- Original language: English
- Number of items: 1
- Dimensions: 9.40" h x 1.30" w x 6.30" l, .0 pounds
- Binding: Hardcover
- 400 pages
Review
“Shin writes about a time and setting that may seem remote to many Americans, but in many ways her specificity is universal; we all have a monster that has no face, and which we try to avoid. Shin paints her own monster for us.” (New York Times Book Review)
“Kyung-sook Shin's work often inhabits the space between story and reality. Though the autobiographical novel is a well-worn genre, Shin handles it with the sort of effortless ruthlessness a story like this requires, without letting either the narrator or the reader rest easy about the line between truth and fiction. It's no wonder that despite being grounded in signposts of the everyday, The Girl Who Wrote Loneliness has the tenor of a ghost story. Shin anchors her narrator in vivid details rather than narrative absolutes. A haunting, remarkable novel.” (NPR)
“In The Girl Who Wrote Loneliness, Shin opens her nation's transition and her people's struggle to the world that looked away for all those years.�Please Look After Mom, Ms. Shin's poignant examination of how Korea's evolution has impacted the different generations, gave birth to these other translations. But her later works are still more profound. While South Korea is but a whisper of its former self, Ms. Shin's writing grabs hold of those memories and brings them loudly to the surface.” (The Economist)
“Intimate and hauntingly spare. A raw tribute.” (The New York Times Book Review)
“Affecting. How does an author write about a troubled land when her sorrow is so great? Shin's novel provides a powerful record of the time.” (The Minneapolis Star Tribune)
“This work stands the test of time. Isolation and suicide among young adults worldwide have only tragically multiplied, making The Girl Who Wrote Loneliness urgently auspicious. Described at beginning and end as “not quite fact and not quite fiction,” this book is essential reading.” (Library Journal, starred review)
“The most moving and accomplished, and often startling, novel in translation I’ve read in many seasons. Every sentence is saturated in detail.” (The Wall Street Journal)
“Shin's unemotional delivery and understated yet devastating perspective on her country's expectations and norms are familiar from her earlier novels, but this book's grim glimpse into the lives of factory girls is notably haunting. There's a hypnotic quality to this melancholy coming-of-age story described as 'not quite fact and not quite fiction.' Allusive and structurally sophisticated, it melds Shin's characteristic themes of politics, literature, and painful experience into a mysteriously compelling whole.” (Kirkus Reviews)
“Haunting. The novel’s language, so formal in its simplicity, bestows a grace and solemnity.” (The Boston Globe)
“The tone is as dreary as its topic, but it is a fictional account of what absolutely must be told and known. Intense but revealing historical fiction that the author calls something between ‘not quite fact, not quite fiction.’” (Historical Novels Society)
“A moving portrayal of the surprising nature, sudden sacrifices, and secret reveries of motherhood.” (Elle)
About the Author
Kyung-Sook Shin is one of South Korea’s most widely read and acclaimed novelists. She is the author of I’ll Be Right There and Please Look After Mom, which was a New York Times bestseller and a Man Asian Literary Prize winner.
Ha-Yun Jung's writing has appeared in The Harvard Review, Best New American Voices, and other publications.� She is the recipient of a PEN Translation Fund Grant and a Radcliffe Institute for Advanced Study fellowship.� She is on the faculty at Ewha Womens University in Seoul, Korea.
Most helpful customer reviews
5 of 6 people found the following review helpful.
Beautiful. My favorite of Shin’s novels so far!
By zeldamaster8472
This is an English translation of Shin’s 1995 semi-autobiographical novel “A Lone Room.” The dust jacket advertises it as a “new novel,” and although this is true if you mean “new in English,” the original novel came out well before either of her other two novels which have been translated and published in English (as a quick Internet search will confirm).
I own and have read the English translations of “Please Look after Mom” and “I’ll Be Right There,” and although I enjoyed both, this is by far my favorite of the three.
The story is told in a somewhat unusual format. The narrator frequently switches back and forth between the “present” (the mid ‘90s, when this was written and published) and the past (the late ‘70s and early ‘80s, when she was growing up). Personally, I found the story easy to follow, as the present is constantly connected to the past from scene to scene. Fans of the comic-book TV drama “Arrow” should be used to this.
So why did I like this novel? First, it was easy for me to identify with the main character’s sense of isolation, as I have spent enough time doing factory work to appreciate how demoralizing it can be. If you haven’t worked in a factory, think of the worst job you’ve ever had, and imagine you were working at that job while living in a cramped room with an older brother and a cousin in the middle of a huge and mostly impersonal city . . . after living in a small village for most of your life. Throw in background events like a presidential assassination and a large-scale soldier-on-civilian massacre (both based on real-life events), and you have some idea of the turmoil the protagonist (and the author!) is in for.
For any reader even slightly interested in Korean culture, this novel does an excellent job of helping you appreciate the personal and national tragedies that helped transform South Korea into the prosperous state it now is. It’s not easy to go from being perceived as a war-torn backwater to one of the world’s leaders in technology and pop culture, and Shin knows that as well as almost anyone.
Shin is a deep writer, and from a literary standpoint, I enjoy her creative use of metaphor and allusion. References to Western literature and classical music mingle with the native cultural traditions of Korea in a powerful, sometimes emotionally exhausting account of one woman’s journey to find some measure of purpose and peace amidst the brutality of modern city life.
“The Girl Who Wrote Loneliness” is a keeper and will go on my shelf with Shin’s other novels (and my other books on North and South Korea).
Read it. Study it. Think about it. Then read it again.
P.S. For whatever reason, the copy of the book I obtained has a different woman on the cover than the one pictured in Amazon's stock photo. My best guess is that the publisher decided to change the cover at the last minute, and some sites are using the old photo. I doubt the publisher would put out two different covers for the same edition, so you will probably get the cover I have uploaded here.
3 of 4 people found the following review helpful.
the love in this family was obvious
By Angela
The feeling of a burden carried is pervasive in this novel, as the narrator moves us from the present when she is 32 and a novelist, to her past as a 16 year old girl working in an electronics factory in Seoul and back and forth in time again . The transitions to and from the different times are not necessarily seamless yet once I was in each of the times , I was fully immersed .
It's the late 1970's in S. Korea and an unnamed narrator, lives with two of her brothers and a cousin in less than optimal living conditions to say the least - 4 people in a tiny room , as they work and study away from their home in the country . I definitely felt a sense of family as they cared for each other. In the sections on life in the country before their lives in the city , the love in this family was obvious.
I immediately felt how the mechanics of working in the factory are juxtaposed against the creativity in her writing but yet our narrator seems to agonize over the writing process and the burden she carries doesn't seem to dissipate in her adult life . This was as much about her writing process as it was about her past . The passages that moved me the most were related to her writing:
"Writing was home to me? Wherever I might be at that instant, these sentences , surging up through my body, pushed me to hurry back home."
"Writing . Could it be that the reason I am so attached to writing is because only this will allow me to escape the feeling of alienation, that I, my existence , is nothing?"
"Is this how it goes with writing? That as long as you are writing, no time is ever completely in the past? Is this the fate that befalls all writers--- to flow backward, in present tense, into a time if pain......"
Low wages , grueling factory work and union issues that they really didn't understand caught these characters between union organizers and factory management. At times it felt somewhat repetitive - telling of incidents between workers and the union and management but this no doubt depicted the reality for so many during this time and for certain for the author.
This is an autobiographical work I found as I perused interviews and articles about this author going back several years . "LIKE so many South Korean parents at the time, Shin Kyung-sook’s mother saw education as her daughter’s best chance of escaping poverty and backbreaking work in the rice fields. So in 1978 she took her 15-year-old daughter to Seoul, where Ms. Shin would lie about her age to get a factory job while attending high school at night to pursue her dream of becoming a novelist." NYT article June 7, 2012. This could be the description of this book .
It was an enlightening book for me in some ways learning about this time in this place and it's an intimate portrait in many ways . Yet , there's an imposed distance between the reader and the characters since the narrator and her family members remain unnamed- Oldest Brother , Third Brother, Little Brother , Cousin etc. It is complex and heavy but I felt relief in the end . I moved back and forth between 3 and 4 stars but in the end decided on 4 because I did feel privy to this author's heart and soul in spite of the distance I felt with the characters .
Thanks to Pegasus/ W.W. Norton and Edelweiss.
0 of 0 people found the following review helpful.
Three Stars
By Hopeful shopper
Was committed to see it through, and the starkness of her content felt overbearing at times.
See all 7 customer reviews...
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