Saturday, 31 July 2010

[K426.Ebook] Free PDF Quantum Machines: Measurement Control of Engineered Quantum Systems: Lecture Notes of the Les Houches Summer School: Volume 96, July 2011

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Quantum Machines: Measurement Control of Engineered Quantum Systems: Lecture Notes of the Les Houches Summer School: Volume 96, July 2011

Quantum Machines: Measurement Control of Engineered Quantum Systems: Lecture Notes of the Les Houches Summer School: Volume 96, July 2011



Quantum Machines: Measurement Control of Engineered Quantum Systems: Lecture Notes of the Les Houches Summer School: Volume 96, July 2011

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Quantum Machines: Measurement Control of Engineered Quantum Systems: Lecture Notes of the Les Houches Summer School: Volume 96, July 2011

This book gathers the lecture notes of courses given at the 2011 summer school in theoretical physics in Les Houches, France, Session XCVI.

What is a quantum machine? Can we say that lasers and transistors are quantum machines? After all, physicists advertise these devices as the two main spin-offs of the understanding of quantum mechanical phenomena. However, while quantum mechanics must be used to predict the wavelength of a laser and the operation voltage of a transistor, it does not intervene at the level of the signals processed by these systems. Signals involve macroscopic collective variables like voltages and currents in a circuit or the amplitude of the oscillating electric field in an electromagnetic cavity resonator. In a true quantum machine, the signal collective variables, which both inform the outside on the state of the machine and receive controlling instructions, must themselves be treated as quantum operators, just as the position of the electron in a hydrogen atom. Quantum superconducting circuits, quantum dots, and quantum nanomechanical resonators satisfy the definition of quantum machines. These mesoscopic systems exhibit a few collective dynamical variables, whose fluctuations are well in the quantum regime and whose measurement is essentially limited in precision by the Heisenberg uncertainty principle. Other engineered quantum systems based on natural, rather than artificial degrees of freedom can also qualify as quantum machines: trapped ions, single Rydberg atoms in superconducting cavities, and lattices of ultracold atoms. This book provides the basic knowledge needed to understand and investigate the physics of these novel systems.

  • Sales Rank: #2826908 in Books
  • Published on: 2014-08-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.80" h x 1.40" w x 9.80" l,
  • Binding: Hardcover
  • 624 pages

About the Author

Michel Devoret, Department of Applied Physics, Yale University, USA; College de France, Paris, France,Benjamin Huard, Laboratoire Pierre Aigrain, CNRS, Ecole Normale Superieure, Paris, France,Robert Schoelkopf, Department of Applied Physics, Yale University, USA,Leticia F. Cugliandolo, Laboratoire de Physique Theorique et Hautes Energies, Universite Pierre et Marie Curie - Paris 6, Paris, France

Michel H. Devoret:
Department of Applied Physics, Yale University, New Haven, CT, USA
College de France, 11 Place Marcelin Berthelot, Paris, France


Benjamin Huard:
Laboratoire Pierre Aigrain, CNRS, Ecole Normale Superieure, Paris, France


Robert Schoelkopf:
Department of Applied Physics, Yale University, New Haven, CT, USA


Leticia F. Cugliandolo:
Laboratoire de Physique Theorique et Hautes Energies
Universite Pierre et Marie Curie - Paris 6, Paris, France

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Quantum Machines: Measurement Control of Engineered Quantum Systems: Lecture Notes of the Les Houches Summer School: Volume 96, July 2011 PDF

Friday, 30 July 2010

[C696.Ebook] Get Free Ebook Vampire Academy, by Richelle Mead

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Vampire Academy, by Richelle Mead

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Vampire Academy, by Richelle Mead

Look out for Bloodlines, Richelle Mead’s new series set in the world of Vampire Academy, coming August 2011!

After two years on the run, best friends Rose and Lissa are caught and returned to St. Vladimir's Academy, a private high school for vampires and half-bloods. It's filled with intrigue, danger - and even romance. Enter their dark, fascinating world through a new series of 144-page full-color graphic novels. The entire first Vampire Academy novel has been adapted for book one by Leigh Dragoon and overseen by Richelle Mead, while the beautiful art of acclaimed British illustrator Emma Vieceli brings the story to life.

  • Sales Rank: #270703 in Books
  • Brand: Razorbill
  • Published on: 2011-08-23
  • Released on: 2011-08-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .44" w x 6.06" l, .75 pounds
  • Binding: Paperback
  • 144 pages

About the Author
Emma Vieceli is a professional artist and writer based just outside of Cambridge in the UK. Her credits include work on the Manga Shakespeare series (Amulet Books), My Little Pony (Hasbro), Comic Book Tattoo (image) and Girl comics (Marvel).

Leigh Dragoon lives in Northern California. Her credits include work on the Fraggle Rock comics (Archaia Comics), The Faerie Path Mangas (TokyoPop) and The Timeline Series (Rubicon Publishing / Scholastic Canada).

Richelle Mead lives in Seattle and is the author of the international bestselling Vampire Academy series. When not writing, she can be found watching bad movies, inventing recipes, and buying far too many dresses.

Excerpt. � Reprinted by permission. All rights reserved.
Chapter 1

I felt her fear before I heard her screams.

Her nightmare pulsed into me, shaking me out of my own dream, which had had something to do with a beach and Orlando Bloom rubbing suntan oil on me. Images—hers, not mine—tumbled through my mind: fire and blood, the smell of smoke, the twisted metal of a car. The pictures wrapped around me, suffocating me, until some rational part of my brain reminded me that this wasn’t my dream.

I woke up, strands of long, dark hair sticking to my forehead.

Lissa lay in her bed, thrashing and screaming. I bolted out of mine, quickly crossing the few feet that separated us.

“Liss,” I said, shaking her. “Liss, wake up.”

Her screams dropped off, replaced by soft whimpers. “Andre,” she moaned. “Oh God.”

I helped her sit up. “Liss, you aren’t there anymore. Wake up.”

After a few moments, her eyes fluttered open, and in the dim lighting, I could see a flicker of consciousness start to take over. Her frantic breathing slowed, and she leaned into me, resting her head against my shoulder. I put an arm around her and ran a hand over her hair.

“It’s okay,” I told her gently. “Everything’s okay.”

“I had that dream.”

“Yeah. I know.”

We sat like that for several minutes, not saying anything else. When I felt her emotions calm down, I leaned over to the nightstand between our beds and turned on the lamp. It glowed dimly, but neither of us really needed much to see by. Attracted by the light, our housemate’s cat Oscar leapt up into the open window.

He gave me a wide berth—animals don’t like dhampirs, for whatever reason—but jumped up on the bed and rubbed his head against Lissa, purring softly. Animals didn’t have a problem with Moroi, and they all loved Lissa in particular. Smiling, she scratched his chin, and I felt her calm further.

“When did we last do a feeding?” I asked, studying her face. Her fair skin was paler than usual. Dark circles hung under her eyes, and there was an air of frailty about her. School had been hectic this week, and I couldn’t remember the last time I’d given her blood. “It’s been like . . . over two days, hasn’t it? Three? Why didn’t you say anything?”

She shrugged and wouldn’t meet my eyes. “You were busy. I didn’t want to—;”

“Screw that,” I said, shifting into a better position. No wonder she seemed so weak. Oscar, not wanting me any closer, leapt down and returned to the window, where he could watch at a safe distance. “Come on. Let’s do this.”

“Rose—”

“Come on. It’ll make you feel better.”

I tilted my head and tossed my hair back, baring my neck. I saw her hesitate, but the sight of my neck and what it offered proved too powerful. A hungry expression crossed her face, and her lips parted slightly, exposing the fangs she normally kept hidden while living among humans. Those fangs contrasted oddly with the rest of her features. With her pretty face and pale blond hair, she looked more like an angel than a vampire.

As her teeth neared my bare skin, I felt my heart race with a mix of fear and anticipation. I always hated feeling the latter, but it was nothing I could help, a weakness I couldn’t shake.

Her fangs bit into me, hard, and I cried out at the brief flare of pain. Then it faded, replaced by a wonderful, golden joy that spread through my body. It was better than any of the times I’d been drunk or high. Better than sex—or so I imagined, since I’d never done it. It was a blanket of pure, refined pleasure, wrapping me up and promising everything would be right in the world. On and on it went. The chemicals in her saliva triggered an endorphin rush, and I lost track of the world, lost track of who I was.

Then, regretfully, it was over. It had taken less than a minute.

She pulled back, wiping her hand across her lips as she studied me. “You okay?”

“I . . . yeah.” I lay back on the bed, dizzy from the blood loss. “I just need to sleep it off. I’m fine.”

Her pale, jade-green eyes watched me with concern. She stood up. “I’m going to get you something to eat.”

My protests came awkwardly to my lips, and she left before I could get out a sentence. The buzz from her bite had lessened as soon as she broke the connection, but some of it still lingered in my veins, and I felt a goofy smile cross my lips. Turning my head, I glanced up at Oscar, still sitting in the window.

“You don’t know what you’re missing,” I told him.

His attention was on something outside. Hunkering down into a crouch, he puffed out his jet-black fur. His tail started twitching.

My smile faded, and I forced myself to sit up. The world spun, and I waited for it to right itself before trying to stand. When I managed it, the dizziness set in again and this time refused to leave. Still, I felt okay enough to stumble to the window and peer out with Oscar. He eyed me warily, scooted over a little, and then returned to whatever had held his attention.

A warm breeze—unseasonably warm for a Portland fall—played with my hair as I leaned out. The street was dark and relatively quiet. It was three in the morning, just about the only time a college campus settled down, at least somewhat. The house in which we’d rented a room for the past eight months sat on a residential street with old, mismatched houses. Across the road, a streetlight flickered, nearly ready to burn out. It still cast enough light for me to make out the shapes of cars and buildings. In our own yard, I could see the silhouettes of trees and bushes.

And a man watching me.

I jerked back in surprise. A figure stood by a tree in the yard, about thirty feet away, where he could easily see through the window. He was close enough that I probably could have thrown something and hit him. He was certainly close enough that he could have seen what Lissa and I had just done.

The shadows covered him so well that even with my heightened sight, I couldn’t make out any of his features, save for his height. He was tall. Really tall. He stood there for just a moment, barely discernible, and then stepped back, disappearing into the shadows cast by the trees on the far side of the yard. I was pretty sure I saw someone else move nearby and join him before the blackness swallowed them both.

Whoever these figures were, Oscar didn’t like them. Not counting me, he usually got along with most people, growing upset only when someone posed an immediate danger. The guy outside hadn’t done anything threatening to Oscar, but the cat had sensed something, something that put him on edge.

Something similar to what he always sensed in me.

Icy fear raced through me, almost—but not quite—eradicating the lovely bliss of Lissa’s bite. Backing up from the window, I jerked on a pair of jeans that I found on the floor, nearly falling over in the process. Once they were on, I grabbed my coat and Lissa’s, along with our wallets. Shoving my feet into the first shoes I saw, I headed out the door.

Downstairs, I found her in the cramped kitchen, rummaging through the refrigerator. One of our housemates, Jeremy, sat at the table, hand on his forehead as he stared sadly at a calculus book. Lissa regarded me with surprise.

“You shouldn’t be up.”

“We have to go. Now.”

Her eyes widened, and then a moment later, understanding clicked in. “Are you . . . really? Are you sure?”

I nodded. I couldn’t explain how I knew for sure. I just did.

Jeremy watched us curiously. “What’s wrong?”

An idea came to mind. “Liss, get his car keys.”

He looked back and forth between us. “What are you—”

Lissa unhesitatingly walked over to him. Her fear poured into me through our psychic bond, but there was something else too: her complete faith that I would take care of everything, that we would be safe. Like always, I hoped I was worthy of that kind of trust.

She smiled broadly and gazed directly into his eyes. For a moment, Jeremy just stared, still confused, and then I saw the thrall seize him. His eyes glazed over, and he regarded her adoringly.

“We need to borrow your car,” she said in a gentle voice. “Where are your keys?”

He smiled, and I shivered. I had a high resistance to compulsion, but I could still feel its effects when it was directed at another person. That, and I’d been taught my entire life that using it was wrong. Reaching into his pocket, Jeremy handed over a set of keys hanging on a large red key chain.

“Thank you,” said Lissa. “And where is it parked?”

“Down the street,” he said dreamily. “At the corner. By Brown.” Four blocks away.

“Thank you,” she repeated, backing up. “As soon as we leave, I want you to go back to studying. Forget you ever saw us tonight.”

He nodded obligingly. I got the impression he would have walked off a cliff for her right then if she’d asked. All humans were susceptible to compulsion, but Jeremy appeared weaker than most. That came in handy right now.

“Come on,” I told her. “We’ve got to move.”

We stepped outside, heading toward the corner he’d named. I was still dizzy from the bite and kept stumbling, unable to move as quickly as I wanted. Lissa had to catch hold of me a few times to stop me from falling. All the time, that anxiety rushed into me from her mind. I tried my best to ignore it; I had my own fears to deal with.

“Rose . . . what are we going to do if they catch us?” she whispered.

“They won’t,” I said fiercely. “I won’t let them.”

“But if they’ve found us—”

“They found us before. They didn’t catch us then. We’ll just drive over to the train station and go to L.A. They’ll lose the trail.”

I made it sound simple. I always did, even though there was nothing simple about being on the run from the people we’d grown up with. We’d been doing it for two years, hiding wherever we could and just trying to finish high school. Our senior year had just started, and living on a college campus had seemed safe. We were so close to freedom.

She said nothing more, and I felt her faith in me surge up once more. This was the way it had always been between us. I was the one who took action, who made sure things happened—sometimes recklessly so. She was the more reasonable one, the one who thought things out and researched them extensively before acting. Both styles had their uses, but at the moment, recklessness was called for. We didn’t have time to hesitate.

Lissa and I had been best friends ever since kindergarten, when our teacher had paired us together for writing lessons. Forcing five-year-olds to spell Vasilisa Dragomir and Rosemarie Hathaway was beyond cruel, and we’d—or rather, I’d—responded appropriately. I’d chucked my book at our teacher and called her a fascist bastard. I hadn’t known what those words meant, but I’d known how to hit a moving target.

Lissa and I had been inseparable ever since.

“Do you hear that?” she asked suddenly.

It took me a few seconds to pick up what her sharper senses already had. Footsteps, moving fast. I grimaced. We had two more blocks to go.

“We’ve got to run for it,” I said, catching hold of her arm.

“But you can’t—”

“Run.”

It took every ounce of my willpower not to pass out on the sidewalk. My body didn’t want to run after losing blood or while still metabolizing the effects of her saliva. But I ordered my muscles to stop their bitching and clung to Lissa as our feet pounded against the concrete. Normally I could have outrun her without any extra effort—particularly since she was barefoot—but tonight, she was all that held me upright.

The pursuing footsteps grew louder, closer. Black stars danced before my eyes. Ahead of us, I could make out Jeremy’s green Honda. Oh God, if we could just make it—

Ten feet from the car, a man stepped directly into our path. We came to a screeching halt, and I jerked Lissa back by her arm. It was him, the guy I’d seen across the street watching me. He was older than us, maybe mid-twenties, and as tall as I’d figured, probably six-six or six-seven. And under different circumstances—say, when he wasn’t holding up our desperate escape—I would have thought he was hot. Shoulder-length brown hair, tied back into a short ponytail. Dark brown eyes. A long brown coat like horse riders wore, not quite a trench coat. A duster, I thought it was called.

But his hotness was irrelevant now. He was only an obstacle keeping Lissa and me away from the car and our freedom. The footsteps behind us slowed, and I knew our pursuers had caught up. Off to the sides, I detected more movement, more people closing in. God. They’d sent almost a dozen guardians to retrieve us. I couldn’t believe it. The queen herself didn’t travel with that many.

Panicked and not entirely in control of my higher reasoning, I acted out of instinct. I pressed up to Lissa, keeping her behind me and away from the man who appeared to be the leader.

“Leave her alone,” I growled. “Don’t touch her.”

His face was unreadable, but he held out his hands in what was apparently supposed to be some sort of calming gesture, like I was a rabid animal he was planning to sedate.

“I’m not going to—”

He took a step forward. Too close.

I attacked him, leaping out in an offensive maneuver I hadn’t used in two years, not since Lissa and I had run away. The move was stupid, another reaction born of instinct and fear. And it was hopeless. He was a skilled guardian, not a novice who hadn’t finished his training. He also wasn’t weak and on the verge of passing out.And man, was he fast. I’d forgotten how fast guardians could be, how they could move and strike like cobras. He knocked me off as though brushing away a fly, and his hands slammed into me and sent me backwards. I don’t think he meant to strike that hard—probably just intended to keep me away—but my lack of coordination interfered with my ability to respond. Unable to catch my footing, I started to fall, heading straight toward the sidewalk at a twisted angle, hip-first. It was going to hurt. A t

Only it didn’t.

Just as quickly as he’d blocked me, the man reached out and caught my arm, keeping me upright. When I’d steadied myself, I noticed he was staring at me—or, more precisely, at my neck. Still disoriented, I didn’t get it right away. Then, slowly, my free hand reached up to the side of my throat and lightly touched the wound Lissa had made earlier.

When I pulled my fingers back, I saw slick, dark blood on my skin. Embarrassed, I shook my hair so that it fell forward around my face. It was thick and long and completely covered my neck. I’d grown it out for precisely this reason.

The guy’s dark eyes lingered on the now-covered bite a moment longer and then met mine. I returned his look defiantly and quickly jerked out of his hold. He let me go, though I knew he could have restrained me all night if he’d wanted. Fighting the nauseating dizziness, I backed toward Lissa again, bracing myself for another attack. Suddenly, her hand caught hold of mine. “Rose,” she said quietly. “Don’t.”

Her words had no effect on me at first, but calming thoughts gradually began to settle in my mind, coming across through the bond. It wasn’t exactly compulsion—she wouldn’t use that on me—but it was effectual, as was the fact that we were hopelessly outnumbered and outclassed. Even I knew this would be pointless. The tension left my body, and I sagged in defeat.

Sensing my resignation, the man stepped forward, turning his attention to Lissa. His face was calm. He swept her a bow and managed to look graceful doing it, which surprised me considering his height. “My name is Dimitri Belikov,” he said. I could hear a faint Russian accent. “I’ve come to take you back to St. Vladimir’s Academy, Princess.”

Most helpful customer reviews

0 of 0 people found the following review helpful.
My Favorite Vampire Series!
By Book Talk With Jess
How many vampire books are there and how many of them are based on the cliche' world of vampires? Too many to count!

The definition of Vampire: a dead person who leaves the grave at night to bite and suck blood from living people.

The very definition would cause you to assume that this book is about the un-dead who only come out at night and prey on humans, especially young females who are out wandering in places that they shouldn't.

Not Vampire Academy!!!!

The world that Mead created is not your typical Vampire World. She has created a world with not one, but two types of vampires and a hybrid.

Moroi- vampires that live off of not only blood, but food. They can go out in the daylight, only it makes them weak. They don't hunt humans, but have humans who willingly offer themselves to feed the Moroi, because they get off on something that is in the saliva of the Moroi.

Strigoi- vampires who feed on Moroi, hunting them down to kill them/turn them into Strigoi. They can't go out during the day and can only be killed by a stake to the heart, decapitation or set on fire.

Than you have Dhampirs (Hybrid) - part vampire, part human...do not drink blood. Most Dhampirs train to be the guardians of the Moroi. They have special abilities such has fast reflexes, keen eyesight and hearing. They are strong and are able to take on a Strigoi only after being trained at St. Vladimir's Academy.

Now that being said, it is a lot of information to take in, that's exactly what I thought! However, the way Mead wrote about these types of vampires, are easily explained. It sounds like a lot of info to take in, but she explains it much better than I can.

This has become one of my favorite Vampire Series and I have re-read it numerous times over the years.

Even if you don't like Vampire based stories, I suggest you give Vampire Academy a chance. It is full of action, fighting, romance, drama, mystery and much more.

This book was a page turner. There was not a second that went by that I was distracted because I was so involved with this book.

I highly recommend this book and the entire Vampire Academy Series!

0 of 0 people found the following review helpful.
Very engaging and definitely has character appeal.
By Kindle Customer
I'm 50 years old and I've been an avid fan of paranormal romance for many years. I'm always on the lookout for new ideas regarding the paranormal/supernatural. This book starts out slow, but gradually things started to make sense. The characters and storyline was very engaging. Ms. Mead created her characters with flaws. These flaws made the characters appeal to me more. It's about 2 teenagers (Rose and Lissa). Rose, a dhampir and Lissa, Royalty vampire. Rose has the mentality of being stubborn, very loyal to Lissa, opinionated, and "us against the world" attitude. I think a lot of readers would not like her. You find out that she grew up without her birth parents. The book goes into some of it. Rose has become this person to become the personal guardian of her best friend, Lissa. They have a bond that no one can penetrate. While Rose is a "in your face kind of girl", Lissa is just the opposite; timid, almost too shy to be of royalty. She has powers that only have been spoken of in many years past. With Rose's help, she tries to gain knowledge about her newfound powers. Of course, many people find out about them, but it's "hushed up". Lissa would be seen as a power to use. Rose and her mentor, Dimitri (hopefully Rose's love interest) helps to protect Lissa from the oncoming assaults. I'll definitely be getting other books in the series to read. Keep up the great writing, Ms. R. Mead, and I'll keep reading them. Cheers!!!!!

0 of 0 people found the following review helpful.
A slow-burn forbidden romance junkie's dream!!!! LOVED it!
By Megan - Reading Books Like a Boss
I first read VAMPIRE ACADEMY more than four years ago. Remembering slow-burning forbidden romance between Rose and Dimitri and pulse-pounding action present throughout the whole series made me want to relive it all over again. Would I love it as much the second time around? I can answer that question with a resounding YES!

This is the first book in the series, and sometimes first books can be boring with all the world-building and character development. NOT THIS BOOK! Richelle Mead effortlessly blends together the world of the Moroi, dhampirs, Strigoi, and the Academy with action and memorable characters from the very start. It was very hard to put this book down once I started reading it.

The book starts with Rose and Lissa being taken back to the Academy in Montana. Two years prior, Rose had taken Lissa away from their high school, for reasons you’ll find out in the book. Once back at the Academy, the headmistress wants to send Rose away for taking Lissa. But after some persuasion on Dimitri’s part—one of the guardians sent to bring her back—she lets Rose stay subject to some conditions. Rose must stay out of trouble and take on extra training sessions in order to catch up. She assigns Dimitri to be Rose’s trainer. After arriving back on campus, it becomes clear that someone is targeting Lissa and Rose gets worried. Rose is further distracted when she starts to develop very real feelings for Dimitri.

I must talk about Rose and Dimitri because it would be a huge injustice if I didn’t. In Vampire Academy, Rose and Dimitri start off as trainer/trainee (not really friends, but something else) but there is clearly a very special connection between them. Rose is the outspoken, witty, strong, and brave person who will do anything to protect her best friend. While Dimitri is brooding, honorable, and the strong, silent type of guy. Basically, he’s my favorite type of hero. Underneath it all is also this wonderful romantic tension that you can cut with a knife! This is where things get good, guys.

“Did you see that dress?”
“I saw the dress.”
“Did you like it?”
He didn’t answer. I took that as a yes.
“Am I going to endanger my reputation if I wear it to the dance?”
When he spoke, I could barely hear him. You’ll endanger the school.”

I liked that the reason why they couldn’t be together was something tangible and concrete. It made sense. It is a rule at the Academy that guardians cannot be romantically involved due to the nature of their job—their job is to protect Moroi and they can’t put someone else ahead of that duty. And doesn’t that just bite the big one because, damn, these two would be GREAT together!

I won’t go into the explanation of the world in this review because you can figure that out for yourself. However, if you find yourself leery of reading yet another vampire series, don’t because this series is really great. What I love so much about this book is how wonderfully Richelle Mead sets the stage for the rest of the series, while creating an engaging and exciting book that is freaking addictive. You have the subplot with Lissa and Christian, the danger surrounding Lissa, the budding something between Rose and Dimitri, and the dramatics of high school.

If you haven’t read this series from start to finish, go right now! If you’re like me and have a weakness for amazing forbidden love stories with twists and turns, then Richelle Mead’s Vampire Academy series is the series for you! I have always remembered the journey I took when reading through the books the first time and I cannot wait to feel it all over again.

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Wednesday, 28 July 2010

[R384.Ebook] Download PDF Two Flappers in Paris, by Rh Value Publishing

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Two Flappers in Paris, by Rh Value Publishing

  • Published on: 1988-12-12
  • Released on: 1988-12-12
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover

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Tuesday, 27 July 2010

[H847.Ebook] Fee Download Introduction To Public Health, by Mary-Jane Schneider

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Introduction To Public Health, by Mary-Jane Schneider

Introduction to Public Health, Fifth Edition offers a thorough, accessible overview of the expanding field of public health for students new to its concepts and actors. Written in engaging, nontechnical language, this best-selling text explains in clear terms the multi-disciplinary strategies and methods used for measuring, assessing, and promoting public health. Packed with illustrative real-world examples, this updated edition provides students with informative discussions of the current technical issues and practical obstacles facing public health practitioners and policymakers alike. In her unique style, author Mary Jane Schneider goes beyond the science of Public Health with a hard look at the politics that put these topics in the headlines. Readers will come away with a broad-reaching, practical framework for understanding the multifaceted forces and organizations of today’s public health enterprise. Key Features: - Up-to-date coverage of the newest developments in infectious disease, injury control, environmental health controversies, the reform of the American healthcare system, and more - Vivid presentation of Public Health principles through current stories in the news, such as Ebola in the United States, e-cigarettes, eating disorders, the California Measles outbreak, and traumatic brain injury in the NFL - Extensive discussion of current topics including population growth and climate change as contributors to drought, wars, and migrations in the Middle East; and the implementation of the Affordable Care Act in the United States

  • Sales Rank: #52351 in Books
  • Published on: 2016-03-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x 1.00" w x 7.00" l, .0 pounds
  • Binding: Paperback
  • 594 pages

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0 of 0 people found the following review helpful.
Very interesting to read so far...
By Belinda H.
I like to get a chance to preview my textbooks, and I find myself reading this book for pleasure; it's that interesting!

0 of 0 people found the following review helpful.
Five Stars
By Carolyn
It was needed for my public health course

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
It's great!

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Sunday, 4 July 2010

[G576.Ebook] Download Book of the Witch Moon: Chaos, Vampiric & Luciferian Sorcery, The Choronzon Edition, by Michael W. Ford

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Book of the Witch Moon: Chaos, Vampiric & Luciferian Sorcery, The Choronzon Edition, by Michael W. Ford

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Book of the Witch Moon: Chaos, Vampiric & Luciferian Sorcery, The Choronzon Edition, by Michael W. Ford

Satanism, Chaos Magic, Vampirism, Vampire, Astral, Magick, Luciferian, Witchcraft, Grimoire, Hecate, Typhon, New, Age, Alternative, Demonology

  • Sales Rank: #227866 in Books
  • Published on: 2006-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.15" w x 6.00" l, 1.46 pounds
  • Binding: Paperback
  • 456 pages

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1 of 2 people found the following review helpful.
The fact that this book starts with a praise to ...
By Waning Moon Conrad
The fact that this book starts with a praise to Hekate but then tells her to "go away" (Hekas) is somewhat confusing.

Either Mr Ford doesn't know any Classical Greek but misuses it anyway in order to appear erudite, darke and eldrytche OR, he invokes deities only to sneer dismissively at them and tell them to "go away".

If the first is true, it tells us volumes about inadequate scholarship. If the second is true, it speaks of confusion, narcissism and possibly thought disorder.

In any case, if dark fluff is your thing, then this is definitely one of the books for you.

0 of 1 people found the following review helpful.
Let me tell you something about Michael Ford. When ...
By wayne d. rogers
Let me tell you something about Michael Ford. When my wife and I went against their Greater Church of Lucifer to take it down, this man among the "archons" of the church was completely impotent. Now their "church" is on it's death bed and so far they have done NOTHING to stop us. What does that tell you about his "power" or understanding?
If you want to read a grimoire, it might be helpful to read it from someone who can actually PERFORM magick

56 of 64 people found the following review helpful.
Description of BOOK OF THE WITCH MOON
By Akht
The Choronzon edition of BOOK OF THE WITCH MOON is the completely new version which is extended to 455 pages, with new chapters and material. The grimoire is centered around the cult of Hecate, from the practice of Luciferian and Satanic Witchcraft which exalts the dark feminine and masculine as a balanced perspective of magick. Containing both old and new sections, a focus on the path of vampirism, or predatory spiritualism is a foundation focus of the Luciferian Path. LIBER NEHEBKAU, ORIGINS OF THE VAMPIRE IN ANCIENT EGYPT, THE TUAT - Abode of the Serpents of the Evil Eye, LIBER AAPEP, VAMPIRISM AND THE RED AND BLACK SERPENT, Vampirism as Technique, The Nine Angles, THE HELL GATES OF DUZHAHU, INVOCATION OF ASTWIHAD & DRUJ NASU - THE BLACK SUN RITE OF VAMPIRISM, Nature is More Atrocious - Sex Magick andThe Birth of a Lunar Intelligence, The Nine Angles and Satanic Magick - A study of the symbolism of the ONA, ALPHABET OF DESIRE, A Ritual of Qlippothic Descent and Luciferian Ascent, Shades of Algol, The Sabbats, CHI AS THE ELIXIR OF IMMORTALITY and much more. Introduction by Peter J. Carroll, author of Liber Null/Psychonaut and Liber Kaos writes "If you choose to embrace and live the cthonic murk and stygian darkness of the following chapters you will certainly get some return on your investment of belief, for it has been well crafted by a master.Beware of the pale Hecate. Create your Gods with care, for they will reform you in their own image."

The Choronzon Edition of BOOK OF THE WITCH MOON presents the forbidden works of Chaos, Vampiric and Luciferian Sorcery. Containing a grimoire outlining the dark feminine current of HECATE, the book outlines the practice of Satanic or Luciferian Witchcraft from a Cunning craft viewpoint. Witch Moon explores ritual and dream Lycanthropy, Chaos Sorcery and Luciferian Ritual practice. The foundation of Book of the Witch Moon is in the darksome practice of Vampirism and Predatory Spirituality. The Nine Angles and the Trapezoid workings, inspired by Anton LaVey and presented around the cult of Daeva-Yasna, the persian demon-sorcery of Yatuk Dinoih.Contains the Rituals of Dream, ritual and astral vampirism as an initiatory tool, other Cabalistic workings presenting the Qlippoth and the Tree of Da'ath or hidden wisdom. Contains the Grimoire based on Ancient Egyptian Vampirism, LIBER AAPEP, Luciferian Magick practice,The Chaos Cult Workings of Choronzon as Vampire, The Rites of Hecate, the Infernal and Luciferian Sabbat, and the foundations of Satanic practice in Magick. Containing in this massive grimoire is also a study of the ORDER OF NINE ANGLES from a Luciferian perspective, centered around their forbidden workings including the appearance of Lilith-Babalon as Baphomet, the Mistress of Blood. Illustrated Elda Isela Ford Nathaniel Harris (Author of WITCHA - Book of Cunning) and various other sources.

The Book of Left Hand Path Witchcraft and Adversarial Sorcery, the very foundation of the Luciferian Gnosis from a modern perspective of practice. This is the ritual-chaos of Vampirism and predatory spirituality. "Can you look into the Eye of Algol, blazing darkness and embers of blackened light? Would you work in the Eye of Algol, from wherein Lilith and Ahriman would devour you? the Eye in the Flesh (Algol fallen) is Cain, Wherein Lucifer dwells, the inner imagination and fire of the self as God. When Algol falls into flesh, and the Eye opens in the clay, the knife falls into Abel, in a swift orgasmic passion of self-love .To know Cain is to know Life, the possibility and the gaping void of death...."

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[U917.Ebook] PDF Download The Brothers Le Nain: Painters of Seventeenth-Century France, by C. D. Dickerson III, Esther Bell

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The Brothers Le Nain: Painters of Seventeenth-Century France, by C. D. Dickerson III, Esther Bell

A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life

In France in the 17th century, the brothers Antoine (c. 1598–1648), Louis (c. 1600/1605–1648), and Mathieu (1607–1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to their subjects.

Featuring more than sixty paintings highlighting the artists’ full range of production, including altarpieces, private devotional paintings, portraits, and the poignant images of peasants for which the brothers are best known, this generously illustrated volume presents new research concerning the authorship, dating, and meaning of the works by well-known scholars in the field. Also groundbreaking are the results of a technical study of the paintings, which constitutes a major contribution to the scholarship on the Le Nain brothers.

  • Sales Rank: #840477 in Books
  • Published on: 2016-06-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.20" h x 2.00" w x 10.30" l, .0 pounds
  • Binding: Hardcover
  • 472 pages

Review
“Renowned for their mysterious scenes of French peasant life, Antoine, Louis, and Mathieu Le Nain are the subject of a landmark exhibition. . . . The show’s prodigiously illustrated catalogue . . . features insightful essays by curators [and] an array of distinguished scholars.”—Jonathan Lopez, �Wall Street Journal (Jonathan Lopez Wall Street Journal)

About the Author
C. D. Dickerson III is curator and head of sculpture and decorative arts, National Gallery of Art, Washington, D.C. Esther Bell is curator in charge of European paintings, Fine Arts Museums of San Francisco.�

Most helpful customer reviews

7 of 12 people found the following review helpful.
This is most exciting catalog for the exhibit that we ...
By Robyn L. Lee
This is most exciting catalog for the exhibit that we are able to see at the Kimbell Art Gallery in Fort Worth, Texas. Without the Kimbell and the scholars who are there with their constant attention to detail with regard to those who lecture and those who are docents, we are sure our lives in the Dallas/Fort Worth Metroplex would be less that what we want for our continued interest in art, philosophy, and literary criticism. Thank you.

1 of 5 people found the following review helpful.
Five Stars
By Newport Blue
Beutiful book.

1 of 5 people found the following review helpful.
Five Stars
By Mike Madigan
As advertised

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The Brothers Le Nain: Painters of Seventeenth-Century France, by C. D. Dickerson III, Esther Bell PDF
The Brothers Le Nain: Painters of Seventeenth-Century France, by C. D. Dickerson III, Esther Bell PDF

Friday, 2 July 2010

[U197.Ebook] PDF Download Current Therapy of Trauma and Surgical Critical Care, 1e, by Juan A. Asensio MD FACS FCCM FRCS KM, Donald D. Trunkey MD FACS

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Current Therapy of Trauma and Surgical Critical Care, 1e, by Juan A. Asensio MD  FACS  FCCM  FRCS  KM, Donald D. Trunkey MD  FACS

Current Therapy of Trauma and Surgical Critical Care, 1e, by Juan A. Asensio MD FACS FCCM FRCS KM, Donald D. Trunkey MD FACS



Current Therapy of Trauma and Surgical Critical Care, 1e, by Juan A. Asensio MD  FACS  FCCM  FRCS  KM, Donald D. Trunkey MD  FACS

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Current Therapy of Trauma and Surgical Critical Care, 1e, by Juan A. Asensio MD  FACS  FCCM  FRCS  KM, Donald D. Trunkey MD  FACS

Here’s a unified evidence-based approach to problems encountered in trauma and critical care surgical situations. Comprehensive and concise, it is ideal for a quick overview before entering the operating room or ICU, or as a review for board certification or recertification.

  • Be prepared for the unexpected with practical, concise coverage of major surgical problems in trauma and critical care.
  • Get expert practical and up-to-date guidance on ventilator management, damage control, noninvasive techniques, imaging, infection control, dealing with mass casualties, treating injuries induced by chemical and biological agents, and much more.
  • Find the information you need quickly and easily through numerous illustrations, key points boxes, algorithms, and tables.

  • Sales Rank: #1749784 in Books
  • Published on: 2008-02-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.36" h x 8.60" w x 10.90" l, 4.00 pounds
  • Binding: Hardcover
  • 816 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
An excellent summary for quick reference
By Jack Cutter
This is following along in the "Current Therapy" series and is an excellent review of concepts in critical care and trauma. The chapters are well organized, fairly thorough, and give a good summary of the current recommendations for trauma care. Included is a good review of critical care concepts. A definite must for anyone who is rotating through a trauma service or a community general surgeon needing a good refresher in trauma, acute care concepts.

0 of 2 people found the following review helpful.
Five Stars
By G.C.
OK

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Current Therapy of Trauma and Surgical Critical Care, 1e, by Juan A. Asensio MD FACS FCCM FRCS KM, Donald D. Trunkey MD FACS PDF
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Current Therapy of Trauma and Surgical Critical Care, 1e, by Juan A. Asensio MD FACS FCCM FRCS KM, Donald D. Trunkey MD FACS PDF

Current Therapy of Trauma and Surgical Critical Care, 1e, by Juan A. Asensio MD FACS FCCM FRCS KM, Donald D. Trunkey MD FACS PDF
Current Therapy of Trauma and Surgical Critical Care, 1e, by Juan A. Asensio MD FACS FCCM FRCS KM, Donald D. Trunkey MD FACS PDF